For example

All Items

• Intermediate aspect of screening an opera text (using the example of Joseph Losey’s Don Giovanni)

  Serhii Zuiev

  183–190

  DOI: https://doi.org/10.34142/27091805.2026.7.02.18

• The border of the real and the animated: The phenomenon of animated documentary

  Chyen Nataliya

  207–214

  DOI: https://doi.org/10.34142/27091805.2026.7.02.21

• Evolution of wind musical instruments in the context of the historical development of world musical art

  Han Tao

  52-58

  DOI: https://doi.org/10.34142/27091805.2024.5.01.06

• From Disciplinary Formation to Artistic Autonomy: Higher Art Education in France and Armenia in the Age of Artificial Intelligence

  Harutyunyan Martin

  156–170

  DOI: https://doi.org/10.34142/27091805.2026.7.02.16

• Life-creativity of Mykhail Verikivsky: composer's individuality, ideological and aesthetic features and stylistic peculiarities

  Oleksandr Demjanchuk

  26-32

  DOI: https://doi.org/10.34142/27091805.2022.3.01.03

• Means of displaying the spring-summer cycle of Ukrainian calendar rites in folk stage dances by ballet masters

  Viktoriia Volchukova, Olena Tishchenko

  31–38

  DOI: https://doi.org/10.34142/27091805.2024.5.02.03

• Musical-pedagogical legacy of Mykola Leontovych in the context of development of the contemporary Ukrainian education system

  Oksana Vasilyeva, Ivan Martynenko

  32-40

  DOI: https://doi.org/10.34142/27091805.2023.4.01.04

• Organization of Activities of Club Associations of Higher Pedagogical Educational Institutions of Ukraine (Second half of the XX century)

  Olena Chubukina

  60-66

  DOI: https://doi.org/10.34142/27091805.2021.2.01.08

• Peculiarities of primary education and musical and aesthetic education in the conditions of the korean war of 1950-53. Recollections of witnesses and notes on the cover of the textbook

  Kim Oleksandr, Tkachenko Maryna

  24–32

  DOI: https://doi.org/10.34142/27091805.2026.7.01.03

• Sociocultural processes of transformation modern music education in Ukraine

  Yurii Loshkov

  22-30

  DOI: https://doi.org/10.34142/27091805.2021.2.02.03

• Sound and color synesthesia: impressionism in the music of Claude Debussy and its relationship with painting

  Kim Oleksandr, Korchagina Ganna

  38–44

  DOI: https://doi.org/10.34142/27091805.2025.6.01.04

• The evolution of the Kharkiv school of drawing under the influence of O. Kokel

  Volodymyr Nosan, Andrii Nesterenko

  81–89

  DOI: https://doi.org/10.34142/27091805.2026.7.02.08

• The Influence of National Ideas of T. Shevchenko on the Ukrainian Choral Culture of the Late XIX – Early XX Centuries

  Vasilyeva Oksana

  4-9

  DOI: https://doi.org/10.34142/27091805.2020.1.01.01