Technologies and innovations in contemporary design

Authors

  • Yevhen Gula Kyiv National University of Technologies and Design image/svg+xml Author

DOI:

https://doi.org/10.34142/27091805.2026.7.02.24

Keywords:

contemporary design, graphic design, digital technologies, innovation, generative artificial intelligence, visual communication, design process

Abstract

The purpose of the study: to clarify the role of digital technologies and innovations in the transformation of contemporary design, with an emphasis on graphic and exhibition design and visual communications, as well as to identify the criteria by which a technological innovation acquires specifically design value rather than merely technical or decorative value.

Methods: the research combines systemic and comparative approaches, literature review, visual-compositional and functional analysis, and the case-study method. The empirical material consists of three visual objects presented in the article: a hybrid portrait composition, an album-cover design, and an international exhibition poster. They are compared by function, mode of technological integration, visual language, and communicative outcome.

Scientific novelty: a four-level model of technological integration in design is proposed: instrumental, generative-algorithmic, interactive-environmental, and systemic-communicative. Three criteria for assessing innovative design are substantiated: functional relevance, transformation of the design process, and enhancement of communication and interaction.

Results: digitalization is shown not to be synonymous with innovation. The mere use of software, neural networks, or multimedia does not make an object an example of contemporary design unless it performs a clearly defined project function. The most productive model treats technology as a design material and a means of iterative prototyping while keeping conceptual, ethical, and communicative control with the designer.

Conclusions: contemporary design is moving from the use of digital tools toward systems of human–machine co-creation. The professional value of innovation is determined not by the quantity of technological effects but by its capacity to improve function, visual hierarchy, adaptability, and user communication. This requires combining technological competence with critical thinking, ethical responsibility, and a distinct authorial position.

Downloads

Download data is not yet available.

Author Biography

  • Yevhen Gula, Kyiv National University of Technologies and Design

    Professor of the Department of Graphic Design, Kyiv National University of Technologies and Design,
    Kyiv, Ukraine

References

Бобренко, Р., & Сліпіч, А. (2026). Методи викладання мистецьких дисциплін у підготовці здобувачів спеціальності «Графічний дизайн»: український ринок праці та досвід НАКККіМ. Professional Art Education, 7(1), 41–52. https://doi.org/10.34142/27091805.2026.7.01.05

Борисенко, Д., & Близнюк, Т. (2026). Партисипативний дизайн у процесі розробки фірмового знаку для візуальної ідентифікації територіальної громади. Professional Art Education, 7(2), 6–13. https://doi.org/10.34142/27091805.2026.7.02.01

Геренко, С. (2024). Штучний інтелект у графічному дизайні: кейс генеративних нейромереж. Деміург: ідеї, технології, перспективи дизайну, 7(1), 78–91. https://doi.org/10.31866/2617-7951.7.1.2024.300924

Колосніченко, М. В. (Ред.). (2022). Графічний дизайн в інформаційному та візуальному просторі. КНУТД.

Косів, В. (2019). Українська ідентичність у графічному дизайні 1945–1989 років. Родовід.

Островський, О. С., & Голубєва, Н. В. (2013). Еволюція художньо-образної виразності об’єктів графічного дизайну в процесі розвитку поліграфічних технологій. УІПА.

Підгурний, І. С. (Уклад.). (2015). Графічний дизайн. Типографіка. Аксіома.

Садова, В. В. (Уклад.). (2025). Проєктування та формоутворення в графічному дизайні. КАІ.

Сбітнєва, Н. Ф. (2015). Тенденції розвитку сучасного графічного дизайну: повернення до рукотворності. Вісник Харківської державної академії дизайну і мистецтв, (4), 60–66.

Amershi, S., Weld, D., Vorvoreanu, M., Fourney, A., Nushi, B., Collisson, P., Suh, J., Iqbal, S., Bennett, P. N., Inkpen, K., Teevan, J., Kikin-Gil, R., & Horvitz, E. (2019). Guidelines for human-AI interaction. In Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems (Paper 3, pp. 1–13). ACM. https://doi.org/10.1145/3290605.3300233

Dove, G., Halskov, K., Forlizzi, J., & Zimmerman, J. (2017). UX design innovation: Challenges for working with machine learning as a design material. In Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems (pp. 278–288). ACM. https://doi.org/10.1145/3025453.3025739

Hou, J. J., Wang, L., Wang, G., Wang, H. J., & Yang, S. (2025). The double-edged roles of generative AI in the creative process: Experiments on design work. Information Systems Research. Advance online publication. https://doi.org/10.1287/isre.2024.0937

Li, H., Xue, T., Zhang, A., & Luo, X. (2024). The application and impact of artificial intelligence technology in graphic design: A critical interpretive synthesis. Heliyon, 10(21), e40037. https://doi.org/10.1016/j.heliyon.2024.e40037

Shneiderman, B. (2020). Human-centered artificial intelligence: Reliable, safe & trustworthy. International Journal of Human–Computer Interaction, 36(6), 495–504. https://doi.org/10.1080/10447318.2020.1741118

Verganti, R., Vendraminelli, L., & Iansiti, M. (2020). Innovation and design in the age of artificial intelligence. Journal of Product Innovation Management, 37(3), 212–227. https://doi.org/10.1111/jpim.12523

Yang, Q., Steinfeld, A., Rosé, C. P., & Zimmerman, J. (2020). Re-examining whether, why, and how human-AI interaction is uniquely difficult to design. In Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems (pp. 1–13). ACM. https://doi.org/10.1145/3313831.3376301

Published

04.11.2026

How to Cite

Gula, Y. (2026). Technologies and innovations in contemporary design. Professional Art Education, 7(2), 232–240. https://doi.org/10.34142/27091805.2026.7.02.24