Style synthesis in the creativity of Nina Matviyenko in the context of creative tandems: academic and pop music modes

Abstract

Object. The aim of the article consists in the exposure of specific of stylish synthesis in work of Nina Matviyenko in the context of tendency of creation of creative tandems in national artistic space of early XXI century. 
Methods. The research uses general scientific methods of analysis and synthesis, as well as the methodological tools of musicology, in particular principles of performance-interpretation approach. 
The scientific novelty of the article consists in substantiating the cultural and artistic determinants of the tendency to form stylistically diverse creative tandems in modern artistic practice and revealing the specifics of the interpretation of the guidelines of folk song performance by the National Artist of Ukraine N. Matviyenko in stylish tandems that create its projection into the space of academic art and variety. 
The results. It is substantiated that the modern tendency to create stylistically diverse creative tandems is based on e revival of national spiritual sources, the activation of cross-cultural communication, the individualization of artist`s guidelines, the process of stylish synthesis, and the search for innovative forms of representation of the national artistic experience. The peculiarities of the transformation of the guidelines of folk song performance in the creative tandems of N. Matviyenko are characterized: with the «Kyiv Camerata» which manifested in the interpretation of the works by O. Kiva (Third Chamber Cantata and Chamber Symphony to the words by T. H. Shevchenko), I. Kyrylina (Chamber Cantata «Prayer»); from the ensemble of ancient music by K. Chechenia in the album «To every city morals and rights»; with S. Vakarchuk in «Ballad of Mallows» by V. Ivasiuk; with MONATIK in the song «On this day»; with the ensemble «Bozhychy» and O. Skrypka in the song «Kupalochka».
Conclusions. The creative tandems created by N. Matviyenko engrave the understanding of the cultural experience of the nation in synchrony and diachrony and demonstrate the exceptional conceptual and expressive potential of diffusion of stylish guidelines of folk song performance and academic and pope art while preserving attributive mental and performance markers.